![]() Nik Color Efex Pro 3. Review. Nik Software’s Color Efex Pro 3. ![]() If you are thinking about buying Color Efex Pro 3. I’ve already laid out a bundle for Lightroom or Photoshop—how can I justify going out and buying an expensive add- on? Why do I need this software when Photoshop already comes with filters? There are literally squint- million add- ons for Photoshop and Lightroom—how do I decide which one to buy? I’ll get to these questions in a moment. But first let me cover the commercial details. Color Efex Pro 3. The various edition options, number of filters, and software compatibly are shown in Table 1. Color Efex Pro A comprehensive set of filters for color correction, retouching, and creative effects. ![]() Each of the Color Efex Pro 3. Windows or Mac OS X operating systems, but you need to specify your operating system before you purchase or download the software. ![]() This review refers to Color Efex Pro 3. 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Table 1: Color Efex Pro 3.0 comes in three different editions; only the Complete edition works with Lightroom as well as Photoshop. By the way, don’t worry about the “Pro” tacked on to the end of the name of. Color Efex Pro is a complement for Photoshop and other photo editors that corrects and enhances color in any image. To access Color Efex Pro all you have to do is go to your program's filter menu and select it. Once you open. Outline of 5 of the filters inside the Google Nik Color Efex Pro 4 Collection. Editions. Number of Filters. Price. Compatibility. Standard. 15$9. 9. Photoshop, Aperture, Nikon Capture NX2. ![]() Select. 35$1. 59. Photoshop, Aperture, Nikon Capture NX2. Complete. 52$2. 99. Photoshop, Aperture, Nikon Capture NX2, Lightroom. Table 1: Color Efex Pro 3. Complete edition works with Lightroom as well as Photoshop. By the way, don’t worry about the “Pro” tacked on to the end of the name of this product. Probably someone in marketing thought the whole thing would sound better with one more word in the software name—but this is software for serious amateur photographers and professionals alike. Should You Buy Color Efex Pro 3. Complete? I won’t keep you in suspense until the end of this review. My answer to this question is a resounding, “Yes, if you are a serious digital photographer using Aperture, Lightroom, or Photoshop—Color Efex Pro 3. Complete is worth its cost.”I use Color Efex Pro 3. Complete every day that I use Photoshop, and on almost every photo that I process. I find its value unbeatable in terms of both image enhancement and the creative effects it provides that can be applied to images. There’s nothing in the filters that come with Photoshop that compare in usefulness to many of the Color Efex Pro filters. I’ve evaluated a number of other Photoshop filter add- ons While many of them are unique and have considerable value no other third- party filter collection provides the extensive variety and consistently high quality of Color Efex Pro 3. Let me run through how Color Efex 3. I mean. Running Color Efex Pro 3. Complete. After you’ve installed Color Efex Pro 3. Complete, you’ll find a Nik Software item towards the bottom of your Photoshop Filter menu. Color Efex Pro 3. Complete is on a fly- out menu that appears when your mouse hovers over the Nik Software item. To open the Color Efex Pro filter set, click on the Color Efex menu item as shown in Figure 1. Figure 1: To open Color Efex Pro, choose its menu item, found under Nik Software on the Photoshop filter menu. This is a good time to strongly suggest that you take a couple of preliminary steps before you open Color Efex Pro. First, it is always a good practice to make sure you save your work before taking this step. Depending upon your software and hardware configuration, Color Efex Pro does occasionally cause Photoshop to crash. Second, I suggest you duplicate the layer you would like to work on, and apply your choice of Color Efex Pro filter to the duplicate layer. This will give you the opportunity to use the Color Efex Pro filter effects at reduced opacity by cutting down the opacity of the duplicate layer to which the filter was applied. You can also use a layer mask to selectively display the duplicate layer with the effects. Color Efex Pro does provide a mechanism for painting in selective application of its effects, but I find the interface for this clunky. Since you can use Photoshop’s layer masking features, why do this in yet another interface—and one that in my opnion is not intuitively obvious? If you’ve taken my advice, and duplicated your layer before opening Color Efex Pro, be sure to set Color Efex Pro so that it doesn’t add yet another layer. My experience has been that letting Color Efex Pro do layer duplication has led to some issues with software stability. To do this, once Color Efex Pro has opened, click Settings in the lower left of the Color Efex Pro window, and in the Settings dialog choose apply the filtered effect to the current layer as shown in Figure 2. Figure 2: I suggest duplicating the layer yourself in Photoshop, then having Color Efex Pro work directly on the duplicate layer using the Color Efex Pro settings dialog. I’m putting the cart a little bit ahead of the horse here, because I’ve shown the Settings window before the primary Color Efex window, which is shown in Figure 3. Figure 3: The main Color Efex Pro window. Color Efex Pro loads with the first filter in its list, B& W Conversion loaded. This is a decent monochromatic conversion filter, but not as powerful as Nik’s Silver Efex Pro (which is, in fairness, an entire product devoted to black and white conversion) or as flexible as the Black & White adjustment layer feature available in Photoshop itself. All 5. 2 filters are shown along the left- hand side of the window, as you can see in Figure 4. Figure 4: The Color Efex Pro Complete filter list. Obviously, figuring out what each filter does takes a bit of time. The name of each filter as shown in Figure 4 and Table 2 helps somewhat, but in some cases these names don’t mean that much. What exactly is a Monday Morning filter? If you think of struggling to work with a grainy and grim cup of nearly monochromatic coffee, feeling hung over and blurry you are about right in my opinion. This is one filter I don’t use much—but it may be right for you. One of the strengths of Color Efex Pro is that there is surely something for every photographer. To truly play with all these filters could take many Photoshop- person years before you internalized what they are all for, and what they could do. Many of the filters themselves—for example, Cross Processing—come with extensive sub- options. Essentially, Cross Processing is an entire world of filters within a single filter. But more on that in a moment. Nik makes organizing and keeping track of the filter collection a little easier by dividing them onto separate tabs. Color Efex Pro opens with all the filters showing, but you can click the Traditional, Stylizing, Landscape, or Portrait tabs to see a smaller cross- section of filters. Of course, not all effects are so easily categorized—or confined to one category. For example, Glamour Glow is considered a portrait effect, but I often use it on images that are not portraits. Divided into categories, Table 2 shows the 5. Color Efex Pro 3. The sheer numerical quantity of the filters gives you some idea of what a workhorse this filter pack is—and almost all the filters are both robust, and come with many sub options that can be chosen. Traditional. B& W Conversion. Bi- Color Filters. Bi- Color User Defined. Brilliance. Warmth. Classical Soft Focus. Contrast Color Range. Contrast Only. Cross Balance. Cross Processing. Darken/Lighten Center. Dynamic Skin Softener. Film Effects. Film Grain. Fog. Graduated Filters. Graduated Fog. Graduated Neutral Density. Graduated User Defined. High Key. Infrared Film. Low Key. Paper Toner. Polarization. Pro Contrast. Reflector Effects. Remove Color Cast. Skylight Filter. Sunshine. Vignette. Vignette Blur. White Neutralizer. Stylizing. Bleach Bypass. Burnt Sienna. Color Stylizer. Colorizer. Detail Stylizer. Duplex. Flux. Foliage. Glamour Glow. Indian Summer. Infrared Thermal Camera. Ink. Midnight. Monday Morning. Old Photo. Pastel. Photo Stylizer. Polaroid Transfer. Saturation Stylizer. Solarization. Tonal Contrast. Landscape. B& W Conversion. Bi- Color Filters. Brilliance. Warmth. Film Effects. Fog. Foliage. Graduated Filters. Graduated Fog. Graduated Neutral Density. Indian Summer. Infrared Film. Paper Toner. Polarization. Pro Contrast. Skylight Filter. Sunshine. Portrait. B& W Conversion. Bleach Bypass. Classical Soft Focus. Cross Processing. Darken/Lighten Center. Dynamic Skin Softener. Glamour Glow. High Key. Midnight. Paper Toner. Photo Stylizer. Polaroid Transfer. Reflector Effects. Skylight Filter. Tonal Contrast. Vignette. Table 2: Color Efex Pro 3. There’s a special tab reserved for the filters you’ve marked as favorite—and this may be the most helpful way to organize filters once you’ve discovered which ones you use most frequently. Of course, sometimes I just like to browse almost at random. It’s a great way to spend my time, and each time I try a new filter from the Color Efex pack I discover a new way to do something. Playing with the Nik filters is almost always time well spent. The main Color Efex Pro window has a number of features (though I won’t run through them all). As a general matter, the toolbar along the top lets you change your viewing preferences (for example, to before- and- after as shown in Figure 5), and panel along the right- side is for tweaking the settings used by individual filters (see some examples below). Figure 5: You can change the display so that it shows before and after filter effects. Some of My Favorites. I admit it—when it comes to Color Efex Pro, I am capricious and fickle. At times, my true loves in this filter back have ranged from Bi- Color User Defined (great for adding graduated saturation to a sunset) to Color Stylizer (can be used to make a photo look like a botanical illustration) to Fog (besides the obvious, also lightens overall). These days, I am mostly besotted with Cross Processing, Glamour Glow, and Tonal Contrast. Let me show you a little of how I use each. Cross Processing. In the days of film, cross processing meant processing film in chemicals meant for another type of film—hopefully with weird, wacky and maybe psychedelic effects. In digital, cross- processing means simulating the effect that film cross- processing might have had.
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